In Russia - в России

الوصف:

A landmass so vast it’s hard to wrap your head around, spanning over 11 timezones and 2 continents, filled with otherworldly landscapes, countless discrete cultures and crowded cities with rather turbulent histories. On the one side, this film shows a slice of this relentless diversity of a place rarely visited by tourists - and on the other, it is an exploration of all the different lenses, viewpoints and expectations one can apply in a travel film about a mysterious country riddled with stereotypes. If you want to learn more about this film, check out our Q&A-series: We also posted extra footage, BTS and more info on our Instagram channels: @vincenturban, @muxsux, @timhoeddinghaus, @27km For this film, I teamed up with my friends Maximilian Neumeier and Tim Höddinghaus. The 3 of us went on a total of 4 trips, each spanning over roughly 10 days, which brought us to 6 distinct locations in 3 different seasons: Moscow in spring, Kamchatka in fall, St. Petersburg, Murmansk, Salekhard and Lake Baikal in Winter. This project could have never been realised without the help of the production company 27km, our local guides Andrey Manirko, Vadim Makhorov and the countless other people who helped on-location in Russia and in postproduction back in Germany. It has been a very long journey and we are forever grateful. MUSIC "Polyushka Polye" Composed & re-arranged by Hermann Schepetkov, 2WEI Additional music by Thomas Muis, 2WEI Music supervised by Christoph Körner, 2WEI The music was specifically composed for this film and is based on an old Soviet song, written by Lev Knipper & Viktor Gussew Produced by: Lars Doehring, 27 Kilometer Entertainment GmbH Local producers: Andrey Manirko & Vadim Makhorov Main Camera: Tim David Höddinghaus Additional Camera: Max Neumeier Additional Drone: Vadim Makhorov Edit: Vincent Urban & Max Neumeier Colorist: Lutz Forster, C.S.I. Sound Design: Max Neumeier VFX: Hans Hartmann Title Design: Moril Gnoyke Sound Mixing: Nepomuk Heller Executive Producer: Pacco Nitsche Research: Manuel Iljitsch, Annegret Feistl & Sophia Stoltenberg Postproduction assistance: Daniel Kremser & Jona Winkler Shot on Arri Alexa Mini, Sony a7s II, Panasonic GH5, DJI Mavic Pro 2