Антон Долин – стыдные вопросы про кино / вДудь

Tavsif:

At 0:00 the host introduces the episode’s concept, then at 1:34 they discuss whether Soviet cinema is great, at 4:06 they examine how censorship helps, at 7:36 a contest for 3 million rubles is announced, at 10:54 Anton Dolin explains why he left "Evening Urgant", at 17:03 he evaluates Alexander Petrov as an actor, at 20:43 he comments on Ivan Urgant’s style, at 25:32 he debates whether preparing for a role like Christian Bale is cool or foolish, at 27:16 he shares incredible facts about Daniel Day‑Lewis, at 28:54 he explains why publicity irritates him, at 33:23 he debates whether "Brilliant Hand" is a masterpiece, at 38:39 he recounts how he became a film critic, at 43:31 he speculates which Russian actors could break into Hollywood, at 46:05 he discusses Tarantino’s power, at 48:21 he explains why Guy Ritchie imitates, at 54:14 he reflects on how "Pulp Fiction" changed cinema, at 59:35 he shares how he and his wife have been together for 30 years since age 14, at 1:06:31 he argues that "The Shawshank Redemption" is the best film ever, at 1:11:27 he admits he stopped a film after an hour of watching, at 1:13:12 he talks about his long tenure at VGTRK, at 1:20:03 he explains why Tom Cruise does all his stunts, at 1:21:33 he pays tribute to Nicole Kidman, at 1:22:59 he comments on Sergey Brilev’s British citizenship, at 1:32:07 he tells a touching story about Vladimir Solovyov, at 1:34:40 he evaluates whether Vladimir Zelensky is a good actor, at 1:35:40 he reveals the secret of Sarik Andreyasan, at 1:38:44 he discusses why American superheroes are popular, at 1:43:30 he critiques "Boomer" as a mediocre film, at 1:45:33 he argues that Tarkovsky is the greatest Russian director, at 1:53:13 he questions whether it’s permissible to set a live cow on fire in a great film, at 1:57:43 he talks about Nikita Mikhalkov, at 2:03:15 he offers evening film suggestions, at 2:05:49 he notes that great films aren’t for everyone but some are easy to watch, at 2:10:27 he advises on which films to start with when studying cinema, at 2:22:26 he reflects on the nature of power, and at 2:23:05 he announces a contest.