Building Chords Ch. 3 - Part 4 (Lead Triads, with 4's and 6's)

Description:

Same as the previous video, except now we are adding in the 4's and 6's to various triad types. I'll be demonstrating some sounds we can gain from adding these notes, as well as explaining a situation that arises when adding in 4's or 6's where the chord can basically turn into a different chord. Something I will refer to as the "Chicken-or-Egg" scenario. Hope you get some cool sounds! Intro, Chicken or Egg (0:00) Using a Root or Power Chord as a Reference (4:38) 1 - Major with 4, Basics, Popular in Classic Rock (6:06) 1 - Major with 4, Not playing Sus4 (10:54) 1 - Major with 4, Featuring 4 (21:10) 1 - Major with 4, Is it E or A? (26:12) 1 - Major with #4, Basics and messing around (32:20) 1 - Major with #4, Reusing Ideas (40:45) 1 - Major with #4, A Favorite Combo (50:00) 2 - Min with 4, Basics (53:12) 2 - Min with 4, Reusing Ideas (1:01:06) 2 - Min with #4, Basics, General Sound (1:06:20) 3 - Major with 6, Basics, Is it Maj6 or Min7? (1:11:05) 3 - Major with b6, Basics (1:15:58) 3 - Major with b6, Adding Other Notes (1:23:12) 4 - Min with 6, Basics (1:26:36) 4 - Min with 6, Is it Min6 or Min7b5? (1:37:33) 4 - Min with b6, Is it Minb6 or Maj7? (1:41:06) 5 - Other Triads with these notes (1:46:53) 5 - Dim with 4, or min b5 pentatonic (1:53:24)