Building Chords - Ch.3 - Part 5 (Intro to Spread Voicings)

Description:

We finally dive into the world of Spread Voicings which will give use one more tool to easily create whatever sound we want, wherever we want. These shapes are absolutely vital to have in your hands if you are wanting to create larger chords, chord melodies, more "pianistic" sounds, jumpy sounding lines, or just have a better visual layout of the fretboard. I've been holding off on these shapes for a while just so we can reinforce the standard "small" triads as best as possible. Because if those small triads are 100% down, turning them into spread voicings is a piece-o'-cake. 1 - Intro (0:00) 1 - The Other Triad Note Order (2:25) 1 - What Are These? (6:23) 1 - The Sound & Why They're Valuable (9:06) 2 - Middle Note Up and Octave (15:07) 2 - Lots of Options (18:03) 3 - 3 Main Fingerings (21:38) 3 - Shapes - 1bass, 1-1-1 (24:55) 3 - Shapes - 1bass, 1-2 (25:47) 3 - Shapes - 1bass, 2-1 (27:28) 3 - Shapes - 3bass, 1-1-1 (29:09) 3 - Shapes - 3bass, 1-2 (30:27) 3 - Shapes - 3bass, 2-1 (32:29) 3 - Shapes - 5bass, 1-1-1 (34:11) 3 - Shapes - 5bass, 1-2 (36:02) 3 - Shapes - 5bass, 2-1 (38:30) 3 - Moving Other Notes Up or Down Octave? (40:38) 4 - Practice Strats - Horizontal (45:11) 4 - Practice Strats - Vertical (53:07) 4 - Practice Strats - Vertizontal (57:01) 4 - Practice Strats - Octave Jump (1:00:23) 4 - Practice Strats - Lead by Note (1:04:16)